Another Taste
Another Taste

A near-mythical release from the Italian composer/bassist/karate don Pino Presti, Shitan was a one-off project in 1977. Slow, pensive, full of tension and loaded with detailed cinematic elements, it still sounds forward-thinking today. No surprises that the original 12"s regularly go for hundreds. Madly the long version never made it to the original 12" so this is the first time the full five minute version has been available. As if a repress wasn't enough reason to jump on this!

Wewantsounds est ravi d’annoncer la réédition de l’album très recherché de Billy Brooks, Windows of the Mind, sorti en 1974 sur le label Crossover Records de Ray Charles. L’album, coproduit par Charles et des musiciens comme Herman Riley, Calvin Keys et Larry Gales, comprend l’un des samples les plus célèbres de l’histoire du hip hop avec « Fourty Days » qui forme la base instrumentale de « Luck of Lucien » de A Tribe Called Quest. Album remasterisé avec pochette originale.

After 8 years and 8 volumes, the Tramp Records crew invites you to join them on yet another enlightening journey into soulful Jazz, Folk and AOR from the 1970s and 80s.This 9th volume contains sixteen (almost) forgotton Soul, Jazz and AOR/yacht rock nuggets from between the mid 1970s and early 1980s. One of the many highlights is the opening track by Ronnie Miler, balearic soul at its very best. But that's just the beginning. Praise Poems Vol.9 covers a wide selection of genres, from AOR (Leaves of Autumn, Mirage and Germany's own People) to pop-soul-rock (Stroke, Tom Miles and Jan Lewis Group), from Terry Callier-type folk-soul (Danish-Swedish singer & guitarist Mikael Neumann, Babe and the previously unreleased "Love Is Not For Real"), to jazz (Dianne Elliott and Phil Palumbo), completing the set with a couple of melancholic soul and psych beauties, most notably AOH's mind-blowing "The Answer Lies In Love".Very few compilation series' release as many as nine volumes and those that get that far often start to run out of quality music or meander too far from their original artistic direction. That certainly is not the case with the "Praise Poems" series which leaps from strength-to-strength as our team of compilers and researchers continue to unearth lost and often overlooked music from an era long gone. Many of these records were released in small quantities as private pressings or by small regional labels. Obviously, those labels neither had the budget, expertise, nor options to promote their releases in a sweeping way. Therefore the majority of these artists failed to find the wider audience their music so richly deserved.