Orquestra Afro-Brasileira
Orquestra Afro-Brasileira

Preceding the release of a new album next year, we’re pleased to announce two ‘Ayiti Kongo Dub’ EPs by Chouk Bwa & The Ångströmers. Following on from 2020s acclaimed album Vodou Ale, Chouk Bwa turn up the heat for this exhilarating trip into their bush of ghosts by introducing a new stripped down line-up to fire up the dance floor, based exclusively on the drums and rhythms of the Haitian kongo rite and deep electronic dub expansions by their trusted Belgian counterparts The Ångströmers.

Will Miller returns with the second album from his ensemble project, Resavoir. Mixing a love for beat scene production with a background in jazz conservatory training, Miller draws in a huge cast of collaborators to shape out an album draped in dreamy soul-jazz, which veers from sweetly sentimental vocal pieces to instrumental escapism. Alongside Miller's keys and trumpet, there's Lane Beckstrom on bass, Marie Stewart on violin, Akenya Seymour on vocals amongst so very many other talented cats

Killer soul/jazz-funk highly collectible LP recorded in 1976 in San Francisco Bay AreaFirst time worldwide reissue on 180 gram vinyl with original 6 pages insert book with lyrics, including rare groove classics like “losing you”, “don’t you think it’s time” or “love nevermore”Released in 1976 on Pipeline, a small label from Woodside, California.

Kendrick Lamarr has always been one of hip-hop's most thoughtful and thought-provoking MCs, with a passion for utilising beats and backing tracks that often sidestep hackneyed rap tropes and lazy samples. Even so, Mr Morale & The Big Steppers, Lamarr's first solo album for five years, is an arresting listen from start to finish. Impeccably produced, with countless musical twists and turns, spellbinding instrumentation (including jazz pianos, orchestration, intriguing electronics, sparkling synths and punchy rhythms aplenty), it sees Lamarr lyrically signposting his own failings (something not enough rappers of his profile are comfortable doing) within a wider framework of accountability. It's brave but brilliant, with some of the topics covered including his relationship with money, white women and his father, gender and generational trauma. A genuinely landmark album all told.