Led Zeppelin
Led Zeppelin

↪ SECONDE MAIN ↩Media Condition: Very Good Plus (VG+)Sleeve Condition: Very Good Plus (VG+)Original 1995 Blue vinyl edition.How can you go wrong with sexy vampiresses, fuzz guitar, groovy sitar jams, funky beats and Bloody Marys?

↪ SECONDE MAIN ↩France pressing 1971.Vinyl condition: Very Good (VG)Sleeve condition: Very Good Plus (VG+)Vinyl with hairlines, surface noises and crackles. Surface noise will be evident upon playing especially in soft passages and during a song’s intro and fade but will not overpower the music. Cleaned with an ultrasonic machine. Sleeve in very good condition close to NM- Sticker "Pop" on the front cover, bottom right corner.

Temporarily rebranding themselves as Ian Carr With Nucleus, 1971’s ‘Solar Plexus’ was the jazz fusion ensemble’s third studio album. The same line-up that was responsible for the 1970 classics ‘Elastic Rock’ and ‘We’ll Talk About It Later’ was augmented by six extra members, with Carr taking full creative control and positioning the band more firmly in pure jazz territory, albeit with a rock-based structure.

Les Disques Bongo Joe return to the scorching Kabyle rock of Abranis, the pioneering Algerian band that blended traditional Berber music with western rock, folk, disco, and funk, all the while proudly celebrating their Kabyle heritage. Amazigh Freedom Rock is a comprehensive look into their discography, from the garage-rock experimentations of their early days to their lushly orchestrated North African fusion masterpieces of the 1980s.The Abranis story begins in the mid-sixties, when Shamy El Baz and Karim Abdenou crossed paths in one of Paris' bohemian neighborhoods. Both were Kabyle, the Berber people from Algeria’s northern regions, both loved rock music, and both were passionate about fostering a modern Algerian sound, as inspired by Kabyle rhythms and melodies as it was by western rock. The two musicians founded Les Abranis in 1967. Together they experimented by mixing Kabyle vocals and melodies with garage and psych-rock but as the '70s progressed they increasingly moved away from the garage and psychedelia of their early days and began to interpret their Kabyle repertoire in more open and creative ways melting prog rock, jazz and some early electronic influencesOver 11 electrifying tracks, Amazigh Freedom Rock 1973-1983 highlights their legacy as the underground kings of Kabyle rock.

‘Blue Car’ is a collection of songs from Joanne's archive of unreleased solo recordings, similar to 2020's ‘Painting Stupid Girls’, these tracks attempt to record the moment, and where she was at emotionally that day, similar to diary entries. The dates she wrote these songs is unknown, they span roughly a ten year period.